By Metin Bektas
This booklet is a short advisor to results, blending and gaining knowledge of for newbies with a spotlight on Cubase. the 1st bankruptcy highlights the main regular results in audio creation comparable to compressors, limiters, equalizers, reverb, hold up, gates and others. you are going to find out about how they paintings, whilst to use them, the tale at the back of the parameters and what traps it's possible you'll come across. The bankruptcy additionally includes a quickly peek into automation and what it may do. within the moment bankruptcy we concentrate on what constitutes a very good combine and the way to accomplish it utilizing a transparent and understandable process. this is often by way of a glance on the getting to know chain that might support to shine and push a combination. The advisor is sprinkled with useful tips and history info to make the educational adventure extra vibrant. Readers drawn to the mental results of track are invited to maneuver directly to the book "Curiosities of the Mind".
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Extra info for Audio Effects, Mixing and Mastering
Dampening low and high frequencies before having the reverb plugin process your signal makes a lot of sense. Low frequency audio content can easily make a mix boomy and muddy when run through a reverb plugin. And having a lot of high frequencies in your reverb sounds very unnatural. Why is that? Air has the habit of dampening high frequencies much more strongly than low frequencies as it transmits sound waves. So when the sound that was reflected back and forth reaches you, the air has already taken out a lot of the high frequencies.
But I can assure you that when listening to a digitally produced note, you'll feel that something's missing. It will sound bland and cold. So unconsciously, we do perceive and desire the overtones. ------------------------------------- If there's a certain problem you'd like to take care of and you don't seem to be able to locate the appropriate frequency with the help of the above frequency range table, try the sweeping technique. Use the EQ to make narrow, maximum gain boost. Move the resulting bell curve through the spectrum until the problem becomes very pronounced.
And indeed it does produce said sound wave, but it is only the first harmonic. As the string continues to vibrate, all the other harmonics follow, producing overtones. In the image below you can see which notes you'll get when playing a C: Quite the package! And note that the major chord is fully included within the first four overtones. So it's buy a note, get a chord free. You might wonder why it is that we don't seem to perceive the additional notes. Well, we do and we don't. We don't perceive the overtones consciously because the amplitude, and thus volume, of each harmonic is smaller than the amplitude of the previous one (however, this is a rule of thumb and exceptions are possible as any instrument will emphasize some overtones in particular).